The controversy surrounding Yinka Alaseyori centers on her use of the “Gwo Gwo Gwo Ngwo” melody during a recent church service in Lagos.
This decision has sparked debate on social media, with many criticizing her for deviating from traditional gospel worship practices.

Prominent writer Solomon Buchi has also weighed in, denouncing the incorporation of such secular elements into a sacred context.

This criticism highlights ongoing discussions about the boundaries between traditional and contemporary expressions in religious settings.

Read comments section below;

saturday_osagie said: “Pure entertainment and they need to stop this woman. Your song needs to minister life not entertainment.”

@RedHatPentester said: “If you talk they’ll tell you talk too much but this is the blunt truth. My problem is Christians are now blending too much with the world. We have gospel raps and stuffs! Funny. They don’t move me a bit.

@GraciousOpara said: “The line between Gospel and Secular activities is fading off.

@Iamkolotayo·4ha said: “from a long time I really do not see these people as Gospel artists.”

@Dostronicss said: “Very annoying…..the world are supposed to be the one copying the church not other way round.”

@Dostronicss added: “Romans 12:2 advises, “Do not conform to the pattern of this world, but be transformed by the renewing of your mind. Then you will be able to test and approve what God’s will is his good, pleasing and perfect will.” This verse encourages believers to avoid adopting worldly practices that might compromise the sanctity and reverence due to God.”

@realzion53 said: “When you pay them to perform, they must entertain you else you wouldn’t call them again.”